Her ballads have probably never sounded so soulful and sincere as on Funhouse, and their contrast with more positive mid-tempo compositions has never been so striking. sadness and happiness, joy and despair, despondency and entertaining. Nevertheless it is called Funhouse, so apparently it is the positive that Pink prefers to see in life. Yet as the singer has confessed herself this title is metaphoric symbolizing life and love when we do not recognize ourselves in mirrors and wonder what we are doing here and still every time it is interesting and we come back there.
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Besides, there are politically oriented songs on the album which are already traditional for Pink, the brightest example in this respect being Ave Mary A. single So What is speaking to oneself after the divorce and realizing the new state of things, Sober is understanding that sometimes you can be strong enough not to need anybody’s help. A soulful, penetrating in its calmness ballad I Don't Believe You cries over the ended relationship whereas an introspective rock composition One Foot Wrong dwells on losing control. The sadness of a more up-tempo song Please Don't Leave Me is close to all who have ever survived a breakup, besides, Pink rethinks her behavior here, too, and recalls the words she said fighting which have now returned to her. Classic for the singer, vivid song Bad Influence seems to tell: no matter what happens this is still the bold rebel having her own opinion about everything while a contagious title composition is filled with her willing to burn the bridges and go forward. One of the most beautiful on the record is Crystal Ball, Pink’s own favorite song built on an unusual metaphor and filled with the strongest feelings, while on Mean she is trying to understand how the relationships get worse. The record closes with almost a danceable rock song This Is How It Goes Down featuring Travis McCoy, not the most optimistic one, but confident enough not to be hopeless. Not a bit of make-believeĮach time when some unpleasant events happen in an artist’s life, such as divorce, music is always there to help, but in this case the creative work is no entertainment anymore but a way to bare one’s heart.
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Pink’s fifth album is so honest that it astounds with naked emotions and texts that render in a wonderfully precise way the singer’s feeling finding response in the hearts of everyone who knows how it feels after a hard breakup.
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